2021-4-7 · Lawrence Lek, Sinofuturism (1839 - 2046 AD), 2016, still. Courtesy: the artist and Sadie Coles HQ, London © Lawrence Lek In Sinofuturism (1839–2046 AD), the disembodied, computer-generated narrator opines that luck and fortune are an ‘antidote to repetitive labour’ and a randomized opportunity to change ‘boring destiny’.

Lawrence Lek (Chinese: 陆明龙;) is a multimedia artist, filmmaker, and musician based in London. His works include the films "AIDOL", "Geomancer", " Sinofuturism (1839–2046

His works include the films "AIDOL", [1] "Geomancer", [2] "Sinofuturism (1839–2046 AD)", [3] the open world video game simulations "2065", [4] "Europa, Mon Amour (2016 Brexit Edition)", [5] "Unreal Estate (The Royal Academy is Yours)", [6] and "Nøtel", an audio-visual collaboration with Kode9 . [7] Lawrence Lek: The idea of identifying oneself with a non-human is something that I explored with the films AIDOL and Geomancer, the video essay Sinofuturism, and the open-world game 2065. Personification is widely used in poetry and literature by adding human characteristics to non-human phenomena and seeing the natural world as a mirror of the self. Such considerations led us to the multimedia digital artist, filmmaker, and musician Lawrence Lek, whose work likewise engages the ways in which digital technologies transform daily life—modes of both labor and leisure—and increasingly call into question the role of the human in a machine-driven society. Curator Caroline Elgh Klingborg (CEK) i samtal med Lawrence Lek (LL) CEK: Ditt arbete utspelar sig ofta i en värld som definieras av samspelet mellan mänskligheten och teknologin, med fokus på den snabba utvecklingen i sydöstra Asien. Du har behandlat begreppet sinofuturism många gånger.

Flows of populations, of products, and of processes. Lawrence Lek PRO "Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows.

A still from Geomancer, 2017 by Lawrence Lek. Screening links to Sinofuturism (1839-2046 AD), Geomancer, and AIDOL are live from today, 19th October 2020 through 26th October 2020. They are available to registered guests here. Lawrence Lek is a London-based artist, filmmaker, and musician working in the fields of virtual reality and simulation.

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Sinofuturism (1839 - 2046 AD) by Lawrence Lek, London London – Speculative artist Lawrence Lek has created a visual essay exploring the concept of Sinofuturism. Sinofuturism embraces seven key stereotypes about Chinese society, including computing, copying, gaming, studying, addiction, labour and …

Through Lek’s presentation, we got to know the stories behind the films included in the Sinofuturist Trilogy: Sinofuturism (2016), Geomancer (2017), and Aidol (2019), all of which attendees were invited to stream prior to the event. Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020. The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism … 2020-12-1 Interview by Alvin Li Opened on March 20 in Hong Kong, a few days ahead of the Asian edition of Art Basel fair, Lawrence Lek’s first solo exhibition will leave you wondering what art and a sinocentric world will be like in 2065.

The work of Lawrence Lek not only inspires awe and wonder, but also aims to incite critical thinking in his viewers as much as any other reaction. From October 22 – November 8, 2020, Lek’s experimental video essay Sinofuturism (1839-2046) will be available to screen for all program registrants. In this work, Lek melds genres of science fiction, documentary melodrama, social realism and Chinese cosmologies to view the future through the lens of China’s technological development.
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02/01 The Sonic Image Lawrence Abu Hamdan, Artist, Beirut In his 2016 video essay Sinofuturism (1839 – 2046 AD), artist Lawrence Lek wrestled with this process, leaning into anxieties about the decline of Western political power and the rising economic prowess of China. Lawrence Lek: The idea of identifying oneself with a non-human is something that I explored with the films AIDOL and Geomancer, the video essay Sinofuturism, and the open-world game 2065.

This article was previously published Within 2065, the notion of Sinofuturism is rearticulated as an artistic movement. Portrait of Lawrence Lek. Image courtesy Eriver Hijano.
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Lawrence Lek is an artist and filmmaker who explores the changing nature of architectural experience through new technologies. His work exists primarily in the

2021-3-30 · Lawrence Lek, Sinofuturism (1839–2046 AD), 2016. Courtesy: the artist. The emergent narratives of Sinofuturism propose an alternate temporality by which to politicize the present.

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Lawrence Lek is a London-based artist, filmmaker, and musician working in the fields of virtual reality and simulation. Drawing from a background in architecture

Lawrence Lek His works include the CGI film ‘AIDOL’ (2019), the open-world video game ‘2065’ (2018), the AI-coming-of-age story ‘Geomancer’ (2017), the video essay ‘Sinofuturism (1839-2046 AD)’ (2016), and ‘Nøtel’, a simulation of a fully-automated luxury hotel in collaboration with Kode9 (2015). Lek goes far with these created worlds, weaving narratives through real and imaginary histories. Through Lek’s presentation, we got to know the stories behind the films included in the Sinofuturist Trilogy: Sinofuturism (2016), Geomancer (2017), and Aidol (2019), all of which attendees were invited to stream prior to the event.

Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020. The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism …

In this conversation, Lek talks to Alvin Li about posthuman agency, the […] 2018-12-12 · So too Sinofuturism, in Lawrence Lek’s eponymous video essay Sinofuturism (1839 - 2046 AD), conceives of China’s technological development over the course of the 19th to 21st centuries as a form of Artificial . Intelligence: a gargantuan neural network unfurling by the silken roads of globalisation and diaspora across all 2021-2-1 · Lawrence Lek, Sinofuturism (1839-2046 AD), 2016. HD Video, 60 min.

AIDOL 爱道 (CGI Animation, 83m, 2019) Geomancer 风水师 (CGI Animation, 48m, 2017) Sinofuturism Lawrence Lek - Conversation #7 - Anthology #3 - February 18 1:05:14. Play Pause. för 14 dagar sedan 1:05:14. Play Pause. Spela Senare. Spela Senare.